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The Play of Rainbow
Every image is a surprise
Yang Lian’s first ever preface to his own work
liminal world sits at the centre of Still Life with Feeding Snake
The Barbarians' Return by Mircea Dinescu, trans. by Adam J. Sorkin & Lidia Vianu Sarah Westcott The Play of RainbowFor the past 50 years, Mircea Dinescu has been one of Romanian poetrys most provocative and obstinately singular poets. After starting out as a writer of highly musical poetry that he spun round in his fingers with the aplomb of a magician who refuted reality, he ended up stuck in free verse, impelled mainly because of the surrealism of a world in which the label and the content of any box seldom matched. After his first gratuitous exercises when he
